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A barren world, a treacherous universe
The early years of a science fiction classic come to life
By PAUL CAMPBELL
Athenaeum Staff
If only the convoluted politics of contemporary America
were as brutal and underhanded as Dune’s.
The release of the Star Wars prequel, Episode One: the
Phantom Menace, made 1999 a milestone year. It gave the drooling masses
another journey into a loved, fantastic and long-missed world. The universe
of the Empire and Rebellion held together by the mysterious force has continued
to enchant fans since its birth in the late ’70s. Frank Herbert’s Dune,
however, snared fans more than a decade before.
In 1965, Dune was released and became a science fiction
classic. Herbert created a deep, multilayered universe of warring houses
and ruthless politics and mind-blowing technologies. Far beyond the history
of Earth, man has conquered the stars, computers are outlawed and the galaxy
is dependent on the chemical miracle of the spice melange. Found on only
on the planet Arrakis, the spice allows great interstellar distances to
be crossed, prolongs life and enhances the mind. Arrakis, a harsh desert
world, is the center of the known universe and the focal point of an age-old
galactic power struggle. The Fremen, native inhabitants of the planet who
refer to their home as Dune, await a legendary hero to come, turning away
the ruthless spice barons and making the planet lush and habitable.
Through six novels, Hebert crafted political intrigue,
religion and high technology into a science-fiction epic. The Dune series
embraced the concepts of honor over treachery, good over evil and the concept
that hope conquers all.
Herbert’s son, Brian, and fellow sci-fi author Kevin
J. Anderson have come forward to continue the tradition of Dune with a
trilogy of prequel novels. Dune: House Attreides, House Harkonnen and House
Corrino. The series sets the stage for Dune, delving into the early lives
of young Leto Attreides, Baron Vladimir Harkonnen and one-day emperor of
the known universe, Shaddam Corrino IV. Herbert and Anderson elaborate
on past events only hinted at in the original series. They give background
to the future events previously chronicled by the elder Hebert, based on
the original author’s extensive outlines, journals and brainstorming sessions
with son Brian.
House Attreides begins the trilogy, chronicling the rise
to power of Shaddam IV along with the coming of age of young Leto Attreides.
Shaddam plots to win the throne of his father, Elrood IX, while a conspiracy
will bring tragedy to Leto’s world. Introduced is a young and physically
perfect Baron Harkonnen, very different from the obese man (or the “floating
fat man,” as he is in the movie) seen later, and young Duncan Idaho, pivotal
character in the later novels, who escapes from Harkonnen hunters.
House Harkonnen continues the series with the origins
of hero Gurney Halleck and heroine Jessica, who will later give birth to
Dune’s messianic protagonist, Muad’Dib. The trilogy will conclude with
the release of House Corrino in October of 2001.
The prequels remain true to the Dune mythos, in form
as well as content. The young Herbert and Anderson’s style reads very closely
to that of the elder Herbert. The depth and detail of content holds true
to the high standard of the original with an almost fanatic reverence.
In contrast, though, the prequels are a brighter period
in the known universe. Like The Phantom Menace, they are the calm before
the storm; the reader knows of the dark times that lay ahead.
The trilogy is sure to satisfy the 10 million readers
of the original Dune, chronicling the lives of characters who will become
historical figures in the earlier series. Herbert and Anderson will continue
to explore the history of Dune with a later series focusing on the Butlerian
Jihad, the epic struggle of man versus machine only hinted at in the original
novels. Also in the works is a proposed sequel, a grand finale, to the
final Frank Herbert Dune novel, Chapterhouse: Dune, based on the author’s
original outline.
Fans may also remember the cinematic failure that was
David Lynch’s film version of Dune that premiered in the early ’80s. It
stank. The movie was a travesty that ignored many aspects of the Dune mythos
and failed to properly execute those they held true to. The Sci-Fi Channel
is giving Dune fans a second chance to see their favorite character come
to life. Expect a big-budget miniseries to be broadcast on the cable outlet
next month. Frank Herbert’s Dune will be a three-part, six-hour miniseries
adapted from the original novel.

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